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2019
Writed by - Robert Mailer Anderson
Audience Score - 52 Vote
Cast - Rene Auberjonois
Countries - USA

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A view from Windows on the World, on the 107th floor of the World Trade Center. CBS Ten years - it's not long enough to heal the scars of that day. But it may be long enough to see how spirits so wounded on September 11 have begun to lift again. Martha Teichner reports: "It's much homier being down, you know, at this level, and really being able to see something as naturally beautiful as Central Park, " said Michael Lomonaco. The difference between the view out these windows and Windows on the World is telling. "At Windows, the view from the 107th floor was otherworldly, it was beyond description, " he said. Lomonaco was executive chef at Windows on the World, the restaurant that occupied the 106th and 107th floors of the North Tower of the World Trade Center - so high up that when it opened in 1976, a critic wrote,. "everything to hate and fear is invisible. " We know now, that wasn't true. Ten years after 9/11, are we all closer to the ground somehow, still seeking comfort? It took Lomonaco five years to find a reassuring space for his new restaurant, Porterhouse N. Y. "I wake up every day and I'm really grateful to be here, " he said, "And at the same time, I dedicate my restaurant work to my lost colleagues, because it was what they were doing on that day that I do today. " Lomonaco is alive because he decided not to go straight up to his office that morning. When the first plane hit, he was able to get out. In 2001, he told Teichner, "I saw a fireball. I'm completely sorry that I witnessed any of this. I mean to say that it was just a terrible thing to see. I immediately began to make a mental note of who I thought would be there - Who's there? Who's up there? " You can watch Martha Teichner's 2001 report by clicking on the video player below. It was a question that ricocheted around the city in the days after the attack - a question repeated until there were no words left, only names on lists... faces on walls smiling snapshot smiles. In 2001 we followed Elizabeth Ortiz, human resources director for Windows on the World, and her assistant as they searched. Until a few weeks ago, she'd never been back to the places she'd looked, those streets of sorrow. "I don't know that you can put into words how difficult it was, ' Ortiz said today. "I mean, there's hundreds, or, I mean, there's thousands of families that had to deal with it differently. But I think for us, there was a sense of responsibility of working with the families... you had to be strong for the families. But, you know, I couldn't be alone at night, because it was just too... scary, too sad. " Just struggling to comprehend that "missing" meant dead. Out of 450 Windows employees, 72 died. Two days after the attack, Eulogia Hernandez couldn't speak. Her husband Norberto was a pastry chef at Windows on the World. Family members talk about Norberto: "He called his sister at 9:00, 9:03, he said there was an explosion in the building in front of them. " Norberto Hernandez was from Puerto Rico. Banquet waiter Muhamed Saladeen Chowdhury was from Bangladesh. Windows employees came from more than 60 nations. The end of this terrible story would bring the beginning of another, better one: Almost exactly 48 hours after Chowdhury died, his wife Baraheen Ashrafi gave birth to the son he would never see, Farqad - the first of the post-9/11 babies. Michael Lomonaco couldn't get Farqad out of his mind, as he helped set up the Windows of Hope family relief fund. It raised $22 million to provide emergency assistance to the families of food service workers who died in the attack, and to educate their children through college. The fund pays Farqad Chowdhury's tuition at a private school in Oklahoma City. Baraheen Ashrafi moved nearby to be close to her sister. In 2004, she became a U. S. citizen. "It's my country now, " she told Teichner. "My kids born here, my husband, you know, his soul and his body's in here. So I started feeling love for staying in here. " © 2011 CBS Interactive Inc. All Rights Reserved.

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Movie Windows on the world. Please support us on Patreon I will be uploading specialized content for patrons of Windows on the World. Click below for our radio show archive and also… Sunday Live Show and Chat Here Live shows Every Wednesday at 8pm on Windows on the World You Tube Channel Latest interviews LIVE EVERY WEDS 8PM HERE: This week: The Broken System of Law The Corovirus hits the UK! Its less potent than previous viruses such as SARS and MERS MASS BRAINWASHING WORKS Its all been done before. Check this out from 1976 Mark Windows Talks 2020 Birmingham 21 4 20 “The Real Citizens Assembly” If you would like to book Mark Windows for a talk You can download our Bigger Picture Poster Here Recent shows Systems of Law UK state looting the elderly A plan to rule your world The globalist 5g hijack with John Kitson The Heretics of London Fake Consensus Interview with Jason Liosatos The Establishment Cult Other stuff Bitchute Channel Patreon Link Please Subscribe Here Please support us by downloading our feature documentaries: Here Check out our Crimestoppers Takedown Mark Windows on Richie Allen show 8th Jan 2020 (starts 56 mins in) Richie Allen show (31 mins in) Richie Allen Show with Mark Windows (Starts 30 mins in): The Bigger Picture, an overview Archive All our radio shows are on the Live Shows page and Here The hundreds of informational WOTW videos and interviews are also available in the show archive section.

Windows on the world movie rotten tomatoes. BBC Four - Maps: Power, Plunder and Possession, Windows on the World Sorry, this episode is not currently available Jerry Brotton shows how maps can be tools of power and snapshots of history. Henry VIII's maps of the British coast helped him exert control over the world. Show more In a series about the extraordinary stories behind maps, Professor Jerry Brotton uncovers how maps aren't simply about getting from A to B, but are revealing snapshots of defining moments in history and tools of political power and persuasion. Visiting the world's first known map, etched into the rocks of a remote alpine hillside 3, 000 years ago, Brotton explores how each culture develops its own unique, often surprising way of mapping. As Henry VIII's stunning maps of the British coastline from a bird's-eye view show, they were also used to exert control over the world. During the Enlightenment, the great French Cassini dynasty pioneered the western quest to map the world with greater scientific accuracy, leading also to the British Ordnance Survey. But these new scientific methods were challenged by cultures with alternative ways of mapping, such as in a Polynesian navigator's map which has no use for north, south and east. As scientifically accurate map-making became a powerful tool of European expansion, the British carved the state of Iraq out of the Middle East. When the British drew up Iraq's boundaries, they had devastating consequences for the nomadic tribes of Mesopotamia. Show less Last on Timings (where shown) are from the start of the programme in hours and minutes The Cinematic Orchestra All Things Explosions in the Sky So Long Lonesome Role Contributor Presenter Jerry Brotton Director Rosie Schellenberg Producer Series Producer Annabel Hobley Executive Producer Chris Granlund.

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Movie windows on the world song. Movie windows on the world tv. Windows on the world movie release date. Windows on the world movie trailer. Movie windows on the worlds. Windows on the world movie 2019. If you booked dinner at Windows on the World between 1981 and 1993, you probably spoke to Deborah Rodi on the telephone. Known to all as Deb, she managed reservations at the restaurant, which was perched on the hundred-and-seventh floor of the North Tower of the World Trade Center. Windows on the World was part of a little gang of night spots high in the North Tower. There was the Greatest Bar on Earth and another restaurant called Wild Blue. At Windows on the World, the tables bore white tablecloths and little vases, each with a single flower. Men had to wear jackets or they could not take their tables. Finance was transforming the country and taking over the city—Deb watched nineteen-eighties New York decide on its identity. She remembers Grace Kelly and Andy Warhol coming in. She remembers the day, in 1983, when she didn’t ask the maître d’ whether his purple swelling was Kaposi’s sarcoma, because she didn’t want to offend him and she had only learned about the AIDS virus that morning. She was twenty-three years old when she started the job, and commuted to work from Jersey City. There were unsettling aspects to working so high up. The hanging plants in Deb’s office, one floor down, swung around as wind buffeted the skyscraper. Deb remembers a co-worker named Gerald, who would eavesdrop, she says, on other building workers, and once heard them talking about small, unchecked fires in the Trade Center’s two buildings. “Something is going to happen here one day, ” he told her. During the twelve years when she worked at the restaurant, she took home a variety of objects, in an absent-minded, memento officii sort of way. Now some of those objects are on display: the young artist Rose Salane has curated a selection of Deb’s past for a show at Company Gallery on Eldridge Street. Salane met Deb after bidding on a postcard from Windows on the World that Deb was selling online. (The show is titled “Indigo237, ” after Deb’s eBay account. ) Deb, curious whether Salane had some connection to the restaurant, wrote her an inquisitive message, and they began a correspondence. In addition to the objects Deb collected, the show includes fictional newspaper articles that report scenes from Deb’s memories. In an article titled “How to Cut a Cigar 1991, ” we read about Deb idly playing with a cigar guillotine during a safety meeting, as employees are taught how to recognize a bomb disguised as a pack of Marlboros. They don’t even sell American cigarettes here, Deb thinks, as the meeting drags on. Then a man named Bill asks Deb to show her colleagues how to cut cigars for their customers. “How to Cut a Cigar”: inkjet on newsprint, silver cigar cutter from Windows on the World (2018). Photograph Courtesy Rose Salane / Carlos/Ishikawa Gallery “WOW93”: inkjet on newsprint, playing cards from Windows on the World (2018). Photograph Courtesy Rose Salane / Carlos/Ishikawa Gallery The cigar clipper is in the show, along with a salt cellar, a dish, and Deb’s business card. There’s a promotional postcard that is illustrated with one of the elegant tables that filled the restaurant, a little, spotlit corner of intimacy against the vast darkness outside the high window. Salane has also sculpted objects based on restaurant equipment, and included several pictures taken by Deb, who is a keen photographer, and carried a camera to work with her often. (She wanted to go to art school but never did. ) In one picture, we see employees temporarily working as security personnel, in 1993, after a man named Eyad Ismoil detonated a massive truck bomb in the parking garage below the North Tower. Six people died, and hundreds were injured. Employees had the option to work security, as temps, until the restaurant was back up and running, or to take unemployment. Another photograph is a simple shot out of the window. After the 1993 bombing, Deb quit her job, afraid to keep working in a place that was a target. Salane was just a toddler at the time; she was born in Queens in the early nineties. The towers loomed over her childhood, like twin totems of the big city. She told me, when we met at her studio, near the Sumner Houses in Brooklyn, that she was “not actually so interested in 9/11. ” Instead, she’s interested in the years that 9/11 has occluded, with the backward shadow that it casts on history. (The plane that hit the North Tower struck well below Windows on the World; the seventy-three employees and eighty-seven conference attendees who were in the restaurant at the time were all killed in the attack. ) For Salane, the World Trade Center is a symbol of the whirlwind of capital that began buffeting New Yorkers in the nineteen-eighties. As the Reagan White House deregulated U. S. markets, and the Koch administration cut New York City taxes, the Financial District thrived. Meanwhile, the AIDS crisis went unaddressed, and Nancy Reagan’s war on drugs incarcerated thousands of New Yorkers. George Bush and Mikhail Gorbachev, 1990. Photograph by Deborah Rodi / Rose Salane And there in the middle of it all was Deb, one young woman in her watchtower. Looking at the little objects that she brought home from work, against the backdrop of those giant buildings, the scale of this history becomes overwhelming. The history of the Twin Towers is about a decisive change in the political course of the world; it’s also about a salt cellar with a soft burnish to its exterior. It’s about a cigar clipper held in the hand of a rich man. It’s about New Yorkers who died of AIDS, and New Yorkers who were killed by terrorists. It’s a young woman looking out the window of a tall building. It’s a plant that cannot stay still, because the whole place is swaying. Everything in Salane and Rodi’s show, whether it’s a postcard or a memory, is the opposite of a skyscraper. These objects, in their smallness and particularity, resist the enormous scale of September 11th and insist on the everyday lives and labors of individual people. As Salane writes in her show notes, the exhibition “seeks to enter history through the pedestrian entrance. ” She and Rodi have created a venue and a frame for old narratives to come forward, and to look us in our contemporary eyes.

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